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Beverley Price
Passionate about Limegreen - but also Mapungubwe and the vindication of the pre-colonial gold workers of Southern Africa 500 years before a white person stepped onto the content. Interest in creating new jewellery 'preciousnesses' with emphasis on my African capacity for improvisation and humour.
Show profile Hide profilehttp://artblart.com/tag/beverley-price/ jewellery exhibition in Melbourne"Unexpected Pleasures" Nespresso collier and half kilo gold neckpiece courtesy AnglGold Ashanti collection.
Just completed rhinoceros sculpture now installed, for Ellerman House Contemporary South African collection.Always reference the Mapungubwe rhino to precipitate new South African preciousness, in my foiled image technique, here using Mr. Paul Harris's comprehensive SA painting collection to create a copper and gold aluminium, and kimberlite mantle. A veritable new skin for the rhino with golden vector-wires extending from the tail through the compact body and out through the horn projectile. A tertiary object of preciousness with play on 'the hidden and revealed' from the Kabbalah on innovative precipitation.
I showed at MAD(Museum of Art and Design), New York in the Global Africa Project, currently shooing at MAD again in jewellery-art exhibition, again in 2013, and this year international contemporary jewellery-art exhibition at Design Museum of London and travelling to Design Museum of Victoria, Australia.
I still make my fab happy pop SA icon jewellery and corporate gifts too.
http://artblart.com/tag/beverley-price/ jewellery exhibition in Melbourne"Unexpected Pleasures" Nespresso collier and half kilo gold neckpiece courtesy AnglGold Ashanti collection.
Just completed rhinoceros sculpture now installed, for Ellerman House Contemporary South African collection.Always reference the Mapungubwe rhino to precipitate new South African preciousness, in my foiled image technique, here using Mr. Paul Harris's comprehensive SA painting collection to create a copper and gold aluminium, and kimberlite mantle. A veritable new skin for the rhino with golden vector-wires extending from the tail through the compact body and out through the horn projectile. A tertiary object of preciousness with play on 'the hidden and revealed' from the Kabbalah on innovative precipitation.
I showed at MAD(Museum of Art and Design), New York in the Global Africa Project, currently shooing at MAD again in jewellery-art exhibition, again in 2013, and this year international contemporary jewellery-art exhibition at Design Museum of London and travelling to Design Museum of Victoria, Australia.
I still make my fab happy pop SA icon jewellery and corporate gifts too.
